Essays, interviews, chronicles and record reviews about samba, choro and the rhythms of Pará.
Both were born on the dance floor, around the drum, and at the parties of those who had no ballroom. An essay on the connections between the Recôncavo and the Salgado regions of Pará.
The 30-year-old flutist talks about her first jam session at the club when she was 17, and about the “choros” she has been composing about Belém.
Tucupi, jambu, gum, and a record on the record player. A chronicle of slow cooking and backyard samba.
From 1970s radio to live club recordings: a guided listening experience for newcomers.
A group of friends with no money, get-togethers at the founders’ homes, and a drawing of a pair of pants with empty pockets. The club’s origins, as told by those who were there.
In the town of Mestre Vieira, a new generation is keeping alive the sound that blends choro, carimbó, and Caribbean music.
The instructor for the club's workshop explains how he teaches the rhythm and why he doesn't like sheet music during the circle.
A striking scene: couples in their seventies and the sun rising over Jurunas.
The Origins of Choro ParaenseChoro arrived in Pará in the early 20th century, brought by musicians who traveled between Rio de Janeiro and Belém. The city, then in the midst of the...